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Romeo and Juliet begins with a Chorus, which establishes the plot and tone of the play. This device was hardly new to Shakespeare, and in fact echoes the structure of Arthur Brooke’s The Tragical History of Romeus and Juliet, the poem that served as Shakespeare’s inspiration. However, the Chorus also introduces a number of contradictions that resonate throughout the rest of the play. The Chorus speaks in a sonnet, a very structured form of poetry that implies order usd shop. However, the content of the sonnet – two families are unable to control themselves, and hence bringing disaster to themselves – suggests incredible disorder. This systematic dissolution is central to the play. It is typical for a tragedy to begin with a Chorus, and certainly, the dire circumstances of this opening address reinforce that trope.

However, Shakespeare never clearly addresses the question of whether or not Romeo and Juliet is a classical tragedy – which is defined as a tragedy of Fate. By introducing a foreboding tone but refusing to lay the blame at the universe’s feet, the Chorus also introduces Shakespeare’s unique approach to tragedy.

This exchange, Romeo and Juliet’s first, is suitably passionate while also introducing the idea that their relationship transcends traditional religious expectation. The lovers speak in a sonnet that invokes the images of saints and pilgrims. Shakespeare’s choice to use a sonnet – a highly structured form – suggests that their love represents order. The sonnet refers to the fact that Romeo’s name translates to ‘pilgrim’ in Italian, but it is more significant for its sacrilegious use of the imagery. Romeo and Juliet use religious images in a sexualized manner, which would most certainly have been considered sacrilegious. This conveys to the audience that the love between Romeo and Juliet exists despite the complications in the world around them convert decimal to binary. Therefore, as the sonnet implies, the only way for them to pursue their feelings is to create their own little world.

Juliet’s famous soliloquy is notable for more than its gorgeous language. It also allows Shakespeare to establish the private nature of love by breaking the convention of a soliloquy, and it introduces the theme of identity as well. A soliloquy is commonly used to reveal a character’s private thoughts to the audience, but kept secret from all of the other characters in the play. By having Romeo overhear Juliet’s private words, Shakespeare creates a cocoon around their love, insinuating that pure love is meant to exist in a private world. Romeo’s presence during Juliet’s soliloquy is, on one hand, an invasion, but on the other hand, it is a reminder of the cost of intimacy. That Juliet both allows and cherishes Romeo’s interruption reminds the audience that true love asks requires lovers to reveal their most private thoughts to one another conversion of usd to rupees. Shakespeare also explicitly introduces the theme of identity in this passage. Juliet wishes that Romeo could transcend the conflict surrounding his name. Her famous declaration – "What’s in a name? that which we call a rose / By any other name would smell as sweet" – explicitly expresses the idea that a person is more than his or her public identity or label. At this point, the lovers understand that they must eschew the expectations of society if they are to ever find true happiness.

This short line from the balcony scene explores the idea that true love requires both parties to be a self-contained unit. Juliet encourages this idea by suggesting that she will believe Romeo only if he swears to himself, rather than to a heavenly power. Romeo tries to swear by the moon, but Juliet remarks that because the moon waxes and wanes, it is too unreliable. Instead, she says, "Or if thou wilt, swear by thy gracious self." Shakespeare often has characters encourage each other to be true to themselves first – and if they can, it is a sign that they can also be true to others. In this context, the characters must accept their individual identities (rather than their family names) in order to experience true love zloty usd. By stressing this point, Juliet invokes the insular, selfish nature of love that defines her relationship with Romeo throughout the play.

Shakespeare introduces Friar Laurence as a character with complicated motives. In this exchange, Laurence presents his unique multi-faceted psychology. He is, in many ways, an imperfect religious figure, one who is willing to compromise the religious sanctity of marriage for the sake of a political goal. He clearly finds Romeo’s new passion suspect, but agrees to perform the ceremony so that he can help end the feud. The dichotomy between society’s pressures and Romeo and Juliet’s desires is again apparent here. Friar Laurence also promotes moderation in the final line pound exchange rate to euro. Many scholars believe that Shakespeare meant his audience to understand that the tragedy in Romeo and Juliet is the result of a lack of moderation – Romeo and Juliet subsumed themselves too quickly to passion, and it consumed them. However, this presumed message does not account for the complexities of their love. Laurence’s insistence on moderation is arguably more applicable to Romeo and Juliet’s families, who cannot manage their feud aud convert usd. In this small exchange, Shakespeare again reveals his ability to craft unique psychology, even in a minor character.

When Romeo reconnects with Benvolio and Mercutio after meeting Juliet in her courtyard, Mercutio speaks these lines to him out of admiration. As Mercutio notes, Romeo has traded his tendency for pensive moping and can now verbally jest with ease. In calling Romeo "sociable," Mercutio is potentially suggesting that after meeting Juliet, Romeo has reclaimed his masculinity – he is now the man he is meant to be "by art as well as nature." However, these lines also indicate that Romeo has discovered his true identity now that he has sworn his love to Juliet. He loves no less than he had before (he actually loves more), but he now knows that he need not broadcast those feelings to the world. He no longer has use for generating attention in that way, because he has found a new outlet for his passion. Therefore, when Mercutio commends his friend’s new attitude, he is noting that Romeo has indeed matured. By extension, Shakespeare suggests that love helps a person achieve autonomy, and therefore, navigate the world with confidence.

In the final lines before his death, Mercutio cements his place as one of Romeo and Juliet’s most enduring characters. Even while he is on his deathbed, Mercutio displays a singular talent for verbal acrobatics and jest, insisting he will be a "grave man" by the next day and suggesting that his mortal wound is still not enough to force him to go to church. However, his energy also takes a darker turn, as he cries out, "A plague o’ both your houses." Mercutio uses his last breaths to chastise the Montagues and Capulets for their bloody feud – which is entirely preventable. He screams this famous phrase three times in succession, as if it were an actual curse – an appropriate punishment for the bloodshed that has occurred 1 usd to sek. Mercutio’s murder, meanwhile, forces Romeo into adulthood. Before his friend’s death, Romeo is able to separate himself from his family, considering the feud a childish distraction – but once it starts to affect him directly, he cannot help but take action. He kills Tybalt to avenge Mercutio’s death, and must suffer the consequences. When Mercutio dies, Romeo learns the hard way that his actions have real-world consequences, despite his noble intentions usps shipping. Perhaps to make sure his pensive friend does not miss out on the lesson, Mercutio makes it abundantly clear in his final words – Romeo is a member of the Montague ‘house’ whether he likes it or not.

This is one of Romeo and Juliet’s most elegant soliloquies. Juliet testifies to the power of separation from her beloved and reminds the audience of the play’s recurring theme of order vs. disorder. As Shakespeare establishes earlier in the play, Juliet associates order with the calm of night and disorder with the complications of daytime. The dramatic irony of her speech is that by this point, the audience knows that Romeo has killed Tybalt and will soon be punished, while Juliet does not – which only underscores the intensity of the divide between order and disorder. Furthermore, Juliet’s language has sexual overtones because she is anticipating the consummation of her marriage. She thinks of nighttime as the time when she and her lover can find peace away from the chaos surrounding them. She also betrays her age and youthful idealism in her childish hope that the power of their love can change the world gender quiz boy or girl. Her optimism is all the more affecting because the Nurse arrives moments later and tells Juliet the bad news of Romeo’s banishment.

In this passage, Friar Laurence chides Romeo for attempting suicide when the young man is facing banishment for Tybalt’s murder. Friar Laurence criticizes Romeo for his cowardice, suggesting that by trying to take his own life, Romeo is displaying feminine characteristics. Laurence also tries to snap Romeo out of his pessimism, pointing out that neither he nor Juliet are actually dead. The Friar’s rebuke is an example of the fact that Romeo and Juliet is a new kind of tragedy – where psychology is to blame rather than fate. At this point, Romeo is desperate and has chosen to end his life – but human intervention is the only reason he does not follow through. In telling Romeo to simply wait until "we can find a time/To blaze your marriage," Friar Laurence is demanding that Romeo behave like a rational adult and deal with his problem in a suitably mature way. While some of Friar Laurence’s lesson gets through to Romeo, what the holy man does not understand is that Romeo is still a passionate youth who might reconnect with Juliet but has little interest in the demands of measured maturity. In this way, this speech also foreshadows the way that impetuous, passionate youth plays a major part in the play’s tragic ending.

In the concluding speech of Romeo and Juliet, the Prince wraps up the tragic plot and suggests the possibility of future peace between the Montagues and Capulets. He does describe it as a "glooming peace", which does not detract from the fact that the play has reached a reconciliation, but it is also indicative of some more subtle points. First of all, Romeo and Juliet is not truly a classical tragedy because it ends with a reconciliation instead of total annihilation 2000 usd to inr. Some scholars do not ascribe to this interpretation but regardless, it is clear that the play has moral overtones, since the youthful purity of Romeo and Juliet’s love leads to positive changes in their world, even though they are no longer alive. When the Prince notes that the "sun…will not show his head," it reminds the audience about the connection between daytime and disorder. The lesson here seems to be then, that tragedy can lead to change, if people are actually willing to learn from it. Next Section Act 1 Summary and Analysis Previous Section Themes Buy Study Guide How To Cite in MLA Format J. N. Smith. Cedars, S.R. ed. "Romeo and Juliet Quotes and Analysis". GradeSaver, 26 June 2013 Web. Cite this page

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